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Non-Fiction

This section is devoted to my academic publications: Essays, Research, Analyses, etc.

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Imaginary Friends:

Not Just Kid Stuff

Academic Non-Fiction
Publication: July 28, 2016

Abstract:

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The idea of imaginary friends (creative companions) is pretty standard in the realm of child psychology. However, we never really see anything substantial about the notion of these companions in adolescents and adults, let alone the purpose or effects of those companions on those individuals. Adolescents and adults tend to face more negative stigmas than that of children, yet also use their companions in a way that is more complex yet similarly to developing children. According to both the literature and personal study, older individuals aren’t just developing important skills, but also maintaining creative thinking on multiple levels in regards to several areas of mental and social skills. The personal study involved employed a set of interview questions for volunteers to answer and discuss involving their current creative companions. As such, the study was to investigate if creative companions were present in teens and adults without a major negative psychosis and are they common. If so, what were the stigmas as well as the benefits? The study was favorable and in agreement with the information available in literary studies, as well as showing a set of patterns and functionality in the creators of companions. While stigmas were present, volunteers showed favorable preference to creating and maintaining companions, not to reject social interaction, but to enhance it as well as develop creative skills, self-therapy, and personal entertainment for the self and others. The results then open the door to realizing how potentially common the practice is, the positive utilization and experience of creative companions, and the unfair stigma of what these companionships have in our society.

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Psyche & the Human Condition:

A Psychoanalytical & Deconstructive Analysis of George Orwell's 1984

Academic Non-Fiction
Publication: September 28, 2018

An essay exploring Literary Theory, George Orwell’s classic novel, 1984, is analyzed. Specifically, the novel is analyzed by using both Psychoanalytical Theory and Deconstructivism Theory.

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The Joy Luck Club:

The Chinese American & Chinese-American

Academic Non-Fiction
Publication: March 23, 2021

An essay on Amy Tan's novel, The Joy Luck Club, with a focus on the backgrounds and cultural identities of the Chinese immigrant mothers and their American-born Chinese-American daughters as well as how Amy Tan's personal life experiences influence the novel.

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Puss-In-Boots:

Love, Lust, & Treasure

Academic Non-Fiction
Publication: March 23, 2021

The original Puss-In-Boots was written by Charles Perrault in the late 1600s which tells the story of a young man and his clever and manipulative cat working in his favor in return for a pair of boots. In 1979, Angela Carter released her own retelling of the tale under the same title. While Perrault's version follows the familiar formula of fairy tales of the time, Carter decides to take her version on a more adult path with significant differences in certain characters.

A comparison and contrary examination of both texts yield different ideas of both the usage of noun and verb in the themes of lust, love, and treasure. These themes lead the characters to act in accordance to those desires, in some cases, forming their entire character around the premise. In pursuit of these things, we can observe how the characters behave and develop regarding that pursuit. Once these observations have been clearly identified, compared, and contrasted, it can then be observed through the lens of feminist theory. More specifically, we can examine the difference of the modern, or traditional, view of the characters and the woman of desire to that of Carter's post-modern retelling.

Ultimately, we can identify and examine, not just the male pursuits of lust, love, and treasure in their respective stories, but also the female contribution in both the modern and post-modern telling. Therein, we can see the improvement of the feminine presence in Carter's version of the story in contrast to that of Perrault's original telling.

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